Camy was designed by Anton Scholtz and published by Scholtz Fonts. Camy contains 10 styles and family package options.
I wanted to create a ‘handwriting’ font which could be used professionally. I have often needed such a font with a variety of weights and styles for a particular project and have had to resort to mixing fonts, creating a rather messy, amateur job. Camy is named for a little village in South West France where I did much of the initial work on this font.
Camy is ideal for contemporary display work, comes in ten styles, and has a contemporary appeal with its casual, easy to read letters. Camy was designed as a total professional package for designers looking for a handwritten font suitable for all kinds of contemporary display work: the idea being that once you have the Camy Professional Pack you don’t have to waste time searching for other handwritten fonts.
The Family:
LIGHT
— NARROW – light weight, condensed width, delicate line
— MEDIUM – light weight, delicate line
— WIDE – light weight, expanded width, delicate line
NORMAL WEIGHT
— NARROW – of medium weight and condensed width – perfect for limited space
— MEDIUM – of medium weight
— WIDE – of medium weight and expanded width
BLACK – for best readability
— NARROW – condensed width for bolder statements in small areas without losing legibility
— MEDIUM – for bolder statements
— WIDE – expanded width for bolder statements
FAT
— WIDE – for maximum impact
Use a combination of styles for product branding, book covers, invitations, greeting cards. The Camy combination works well for both headings and body text.
Camy contains over 250 characters – (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.